A mural honoring scientists hung in Pfizer NYC lobby for 60 years . Now it up for grabs.
The mural, titled “The Healing Touch,” was created in 1959 by artist Robert C. Smith. It depicts a diverse range of historical and contemporary figures in medicine, including physicians, nurses, scientists, and patients. The mural is a testament to the history of medicine and its impact on society.
The piece, a large-scale, abstract sculpture, is currently housed in a private collection.
The mural, a vibrant and colorful piece, is a significant part of the building’s history and identity. It was created by a local artist, and its removal would be a loss for the community. The mural’s removal is a controversial issue, with some arguing that it’s a necessary step for the building’s redevelopment, while others believe it’s a loss for the community’s cultural heritage. The developer’s decision to remove the mural is being met with mixed reactions.
The building, once a bustling hub of activity, now stands silent, its windows boarded up. The air is thick with dust and the smell of decay. The building, once a thriving center of commerce, is now a shell of its former self. The once vibrant colors of the office spaces have faded to a dull gray, and the sleek, modern furniture is now covered in dust and grime. The silence is broken only by the occasional creak of the building or the distant rumble of a garbage truck. The building’s demise is a stark reminder of the challenges faced by businesses in a rapidly changing world. The building’s owner, a struggling entrepreneur, is facing mounting pressure from creditors and investors.
The fate of many of the murals is unknown. The artist, known as “The Metal Man,” was born in 1929 and died in 2017. His work is characterized by its bold, colorful, and often religious themes. The artist’s name is a pseudonym, and his real identity remains a mystery.
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