A mural honoring scientists hung in Pfizer NYC lobby for 60 years . Now it up for grabs.
The mural depicted a diverse group of scientists, including women, people of color, and individuals with disabilities. This mural served as a powerful reminder of the company’s commitment to diversity and inclusion. The mural was created in 1963 by artist Robert C. Smith. It was a significant moment in the company’s history, reflecting the company’s evolving commitment to diversity and inclusion. The mural was a testament to the company’s belief that diversity was not just a moral imperative but also a strategic advantage. The mural’s impact extended beyond the company’s walls.
Cronson, along with other experts, is working to find a permanent home for the piece, which is a large-scale, abstract sculpture made of steel and concrete. The sculpture, known as “The Embrace,” was created by artist Robert Indiana in 1968. “The Embrace” is a symbol of love and unity, and its iconic red and white color scheme is instantly recognizable. The sculpture was originally displayed in the lobby of the New York City Public Library, but it was removed in 2019 due to concerns about its safety and maintenance. The removal sparked a debate about the role of public art in urban spaces and the responsibility of institutions to protect and preserve their collections.
The mural, a vibrant and colorful piece, is a significant part of the building’s history and identity. It was created by a local artist, and its removal would be a loss for the community. The mural is a testament to the building’s past and a symbol of the neighborhood’s artistic spirit.
The building, once a bustling hub of activity, now stands silent, its windows boarded up. The air is thick with dust and the scent of decay. The building, once a thriving center of commerce, is now a shell, a testament to the economic downturn that has gripped the city.
The murals, created between 1970 and 1980, depict scenes from the American Revolution, the Civil War, and the Vietnam War. Calkins’s father, a self-taught artist, was inspired by the works of artists like Norman Rockwell and Thomas Nast. He was also influenced by the social and political climate of the time, particularly the anti-war sentiment prevalent in the 1960s. This led him to create a series of murals that reflected the complexities of these historical events.
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